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Radio 3 New Generation Artist, Ryan Corbett present a virtuoso programme which includes two J S Bach Preludes and Fugues from The Well-Tempered Clavier and exciting arrangements of pieces by Liszt and Tchaikovsky.

To see and hear more about Ryan, please go to www.ryancorbett.com

Programme:

Liszt arr. Corbett - Prelude and Fugue on the Theme B-A-C-H, S 260

J S Bach - Two preludes and fugues from The Well-Tempered Clavier

Gubaidulina - De Profundis

Franck Angelis - Romance

Vladislav Zolotaryov - Rondo Capriccioso

Tchaikovsky arr. Corbett - Children’s Album, Op. 39

Are you interested in becoming a ‘Classical Supporter’ for a concert or concerts in the 2025 series? For full details of the scheme please contact Helen Deakin on 01803 835882

LEE tells the story of Lee Miller, American photographer. Determined to document the truth of the Nazi regime, and in spite of the odds stacked against female correspondents, Lee captured some of the most important images of World War II, for which she paid an enormous personal price. The film is not a biopic, instead it explores the most significant decade of Lee Miller’s life. As a middle-aged woman, she refused to be remembered as a model and male artists’ muse. Lee Miller defied the expectations and rules of the time and travelled to Europe to report from the frontline. There, in part as a reaction to her own well-hidden trauma, she used her Rolleiflex camera to give a voice to the voiceless. What Lee captured on film in Dachau and throughout Europe was shocking and horrific. Her photographs of the war, its victims and its consequences remain among the most significant and historically important of the Second World War. She changed war photography forever, but Lee paid an enormous personal price for what she witnessed and the stories she fought to tell.

The Big Yellow Tambourine Man Band - A tribute to Joni Mitchell and Bob Dylan

Join the Big Yellow Tambourine Man Band on a radical tour of some of the most iconic songs from our generation’s greatest singer-songwriters, Joni Mitchell and Bob Dylan.

With stops in Greenwich Village, Laurel Canyon and the Isle of Wight, this enigmatic, multi-instrumentalist five-piece will make you feel like you’re really there, man...

Saturday 9 November 2024, 7.30pm

Tickets £22

Talk Film@the Flavel

 (like a book club but for film lovers!) Our next meeting is on Thu 14th November, 6.30pm in The Flavel Café  

FILM: LEE

 LEE tells the story of Lee Miller, American photographer. Determined to document the truth of the Nazi regime, and in spite of the odds stacked against female correspondents, Lee captured some of the most important images of World War II, for which she paid an enormous personal price. The film is not a biopic, instead it explores the most significant decade of Lee Miller’s life. As a middle-aged woman, she refused to be remembered as a model and male artists’ muse. Lee Miller defied the expectations and rules of the time and travelled to Europe to report from the frontline. There, in part as a reaction to her own well-hidden trauma, she used her Rolleiflex camera to give a voice to the voiceless. What Lee captured on film in Dachau and throughout Europe was shocking and horrific. Her photographs of the war, its victims and its consequences remain among the most significant and historically important of the Second World War. She changed war photography forever, but Lee paid an enormous personal price for what she witnessed and the stories she fought to tell.

 PLEASE BOOK TICKETS FOR FILM SEPARATELY HERE : Lee

Tuesday 12th November 12.30pm

Join us for the next in our "Winter Warmer" series.  

A choice of soup and scone will be served at The Flavel Cafe from 12.30pm, followed by a Screening of "Lee" at 2pm.

Please book Separately for the film here : LEE

LEE tells the story of Lee Miller, American photographer. Determined to document the truth of the Nazi regime, and in spite of the odds stacked against female correspondents, Lee captured some of the most important images of World War II, for which she paid an enormous personal price. The film is not a biopic, instead it explores the most significant decade of Lee Miller’s life. As a middle-aged woman, she refused to be remembered as a model and male artists’ muse. Lee Miller defied the expectations and rules of the time and travelled to Europe to report from the frontline. There, in part as a reaction to her own well-hidden trauma, she used her Rolleiflex camera to give a voice to the voiceless. What Lee captured on film in Dachau and throughout Europe was shocking and horrific. Her photographs of the war, its victims and its consequences remain among the most significant and historically important of the Second World War. She changed war photography forever, but Lee paid an enormous personal price for what she witnessed and the stories she fought to tell.